"'The Missing Face' is Beholding...In this meticulously paced play, Ida...a true optimist about love, family and her culture, takes a great leap in rearing her son, Amaechi...until she decides to leave the masculine formation of her young man-child to his father, who is domiciled in Africa...'The Missing Face' offers a rich illustration of music...ritual and tradition that is noble in looking back and seizing the moment."
Laura Andrews, Amsterdam News, New York
"In all her work, Onwueme has shown daring in her exploration of ideas, even when they lead to subjects and themes which may seem taboo. She has a way of using images to express very crucial ideas. For example, in Legacies [or The Missing Face] where lkenga is split into two halves-she explores important pan-African themes and sums up the historical tragedy of the first major division of Africa into continental and diasporan entities. Wholeness will come when the two halves come together."
Ngugi wa Thiong'o, foreword to Onwueme's Tell It To Women
"The Missing Face has many interesting characters and proactive ideas...The conflict between Ida and Odozi is refreshing and funny; it's fascinating to see and hear an African-American lecture an African about...[his] own culture, and then to hear his bemused response...Odozi's colorful language, full of jokes and elaborate metaphors, is intriguing...There are many fine moments in the play concerning African culture and the relationship that modern African-Americans and Africans have with it."
Nrooke Pierce, Theater Mania, New York Show
About the author: Internationally renowned for her award-winning plays, and novels, Dr. Tess Onwueme is Africa's best known female dramatist, whose writing and speaking often poke into taboo and controversial subjects, revealing the untold hidden stories of young women and the poor, who remain caught in various crossfires with; family, tradition, race, class, gender, culture and politics. But then in the growing stampede for material wealth and power in both Africa and the global community today, their striving for voice, place and identity still remain unheard, thus provoking Dr. Tess Onwueme—who commits herself as "a writer with an active conscience" to constantly "stage-a-hearing" for them through her inspiring provocative writing and speaking. That the BBC recently adapted and produced Onwueme's 2001 award-winning play, Shakara: Dance-Hall Queen as a major feature of their BBC World Drama Service for the Fall of 2004, is only one of such recent testimonies, marking the enriching value of Dr. Onwueme’s creative work as a steady staple for the international public, as well as schools, colleges, and universities in international contexts, where her creative writing continue to impact and transform the academic curricular as scholars and teachers continuously adapt as primary teaching texts and tools for teaching, scholarship, theses, and dissertations. In this regard, Onwueme's rich artistic corpus include the following plays and novels: the larger international communities through her drama and fiction publications:
- What Mama Said (2003)
- Then She Said it! (2002)
- Shakara; Dance-Hall Queen (2001)
- Why the Elephant Has No Butt (2000)
- Tell It To Women; with Foreword by Ngugi wa Thiong’o (1997)
- The Missing Face; 1st edition (1997)
- Riot In Heaven (1996)
- Three Plays: An Anthology of Three Plays by Tess Onwueme (1993)
- Parables for a Season (1991)
- Legacies (1989)
- The Reign of Wazobia (1988)
- Mirror For Campus: (1987)
- Ban Other Barn and Other Plays (1986)
- A Scent Of Onions (1986)
- The Desert Encroaches (1985)
- The Broken Calabash (1884)
- A Hen Too Soon (1983)
- in additional to her socio-political novels and satires, Why the Elephant Has No Butt (2000), The President’s Bag of Luck.
Her new play, No Vacancy is currently being published , while her witty sensational memoir What I Cannot Tell My Father has recently been completed and awaiting publication.
The prolific Dr. Onwueme, who is married with five children, earned her Ph.D. from the University of Benin, Nigeria in 1988, following both her Masters and Bachelors degrees from the university of Ife, Nigeria in 1982, and 1979, respectively. Dr. Onwueme has won numerous international awards for her creative writing and contributions, including: the Drama Prize of the Association of Nigerian Authors, which Dr. Onwueme has broken all records to win four times with various plays—Then She Said it (2003), Shakara: Dance-Hall Queen (2001), Tell it to Women (1995), and The Desert Encroaches (1985), two substantial awards from the Ford Foundation in both 2000 and 2001, the 1988 Distinguished Authors Award, and the Martin Luther King / Caesar Chavez Distinguished Writer/Scholar Award, 1989/90. Since joining the University of Wisconsin, Eau Claire Wisconsin in 1994 as a Distinguished Professor of Cultural Diversity and Professor of English after her years of teaching in both Nigerian and American universities, Tess Onwueme continues to gain her steady strides, not just as a role-model for women and youths in the world, but also as a remarkable international writer and speaker, whose inspirational work and talent is steadily shaping and transforming public consciousness of issues impacting black women and youths in postcolonial societies today, while providing the critical resources and texts for scholars, who derive inspiration for their theses and dissertations from her writing in such
multidisciplinary contexts as: Women/Feminist Studies, Cultural Studies, Studies of African, Diasporan, Black, Postcolonial, World, Literature, and Drama, together with those
critically engaged in vital studies of Gender, Race, Class, especially as these impact underclass women and youths today.
For more information about this author,
please visit her website at http://www.writertess.com/
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